{"id":169,"date":"2021-12-25T11:14:53","date_gmt":"2021-12-25T11:14:53","guid":{"rendered":"http:\/\/piyanofestivali.bilkent.edu.tr\/?page_id=169"},"modified":"2022-06-09T14:04:20","modified_gmt":"2022-06-09T14:04:20","slug":"faculty-2","status":"publish","type":"page","link":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/faculty-2\/","title":{"rendered":"KONUK SANAT\u00c7ILAR"},"content":{"rendered":"\n

Konuk Sanat\u00e7\u0131lar<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Emre Elivar<\/h2>\n\n\n\n

A\u011fustos 1976\u2019da Ankara\u2019da do\u011fan Emre Elivar piyano \u00f6\u011frenimini, 5 ya\u015f\u0131ndan itibaren Hacettepe Konservatuvar\u0131 Piyano Ana Sanat Dal\u0131\u2019n\u0131 s\u0131n\u0131flar atlayarak birincilikle bitirinceye kadar Prof. Kamuran G\u00fcndemir ile s\u00fcrd\u00fcrd\u00fc. Parlak mezuniyetinin ard\u0131ndan en \u00f6nemli Alman devlet bursu olan DAAD\u2019yi (Alman Akademik De\u011fi\u015fim Servisi) kazanan Elivar, 1996 y\u0131l\u0131 Ekim ay\u0131nda Dresden \u201cCarl Maria von Weber\u201d M\u00fczik Akademisi\u2019nde Prof. Peter R\u00f6sel ile \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc ve Ocak 1999\u2019da \u201cmaster\u201d derecesini birincilikle tamamlad\u0131. Ayn\u0131 akademide ba\u015flad\u0131\u011f\u0131 doktora program\u0131n\u0131 Ekim 1999\u2018dan itibaren Berlin \u201cHanns Eisler\u201d M\u00fczik Akademisi\u2019nde Prof. Georg Sava ile s\u00fcrd\u00fcren sanat\u00e7\u0131, bu e\u011fitimini de \u015eubat 2005\u2019de birincilik ile tamamlad\u0131.<\/p>\n\n\n\n

Emre Elivar gen\u00e7 ya\u015flar\u0131ndan itibaren \u00e7e\u015fitli uluslararas\u0131 piyano yar\u0131\u015fmalar\u0131nda kazand\u0131\u011f\u0131 \u00f6d\u00fcllerle yetene\u011fini kan\u0131tlad\u0131. Bunlar\u0131n en \u00f6nemlileri aras\u0131nda \u00fc\u00e7 b\u00fcy\u00fck \u00f6d\u00fcl ald\u0131\u011f\u0131 1999 Uluslararas\u0131 Bremen Piyano Yar\u0131\u015fmas\u0131, bronz madalya kazand\u0131\u011f\u0131 1999 \u201cCidado do Porto\u201d ve 2000 \u201cWorld Piano Competition\u201d yar\u0131\u015fmalar\u0131, 2001 Steinway \u00d6d\u00fcl\u00fc, 2002 Arthur-Schnabel \u00d6d\u00fcl\u00fc ve birincilik ald\u0131\u011f\u0131 2003 Vend\u00f4me-Prize Piyano Yar\u0131\u015fmas\u0131 say\u0131labilir.<\/p>\n\n\n\n

Elivar 2005 y\u0131l\u0131nda \u0130stanbul Uluslararas\u0131 M\u00fczik Festivali kapsam\u0131nda J. S. Bach\u2019\u0131n \u201cDas Wohltemperierte Klavier I\u201d isimli dev eserinin T\u00fcrkiye\u2019deki ilk seslendirili\u015fini ger\u00e7ekle\u015ftirdi. Sanat\u00e7\u0131n\u0131n di\u011fer \u00f6nemli konserleri aras\u0131nda 2008 \u0130stanbul Uluslararas\u0131 M\u00fczik Festivali kapsam\u0131nda verdi\u011fi ve F. Mendelssohn (Variations S\u00e9rieuses op. 54), J. Brahms (PaganiniVaryasyonlar\u0131 op. 35\/her iki defter) ve L. v. Beethoven\u2019in (Diabelli-Varyasyonlar\u0131 op. 120) eserlerinden olu\u015fan \u201cRomantik Varyasyonlar\u201d resitali, Haziran 2009\u2019da Washington DC\u2019de verdi\u011fi ve R. Schumann ile F. Chopin\u2019in eserlerinden olu\u015fmu\u015f Amerika deb\u00fc konseri, 2010 y\u0131l\u0131ndaki Shostakovich (Aforizmalar op. 13 ve 2. Sonat op. 61) ve Prokofjew (Visions Fugitives op. 22, Sarkazmlar op. 17 ve 2. Sonat op. 14) program\u0131 ile 2013 y\u0131l\u0131ndaki Debussy (Images I & II) ve Ravel (Valses nobles et sentimantales & Gaspard de la Nuit) resitalleri say\u0131labilir. Elivar solist olarak Borusan \u0130stanbul Filarmoni Orkestras\u0131, Bilkent Senfoni Orkestras\u0131, Konzerthausorchester Berlin, Hungarian National Philharmonic, Nordwestdeutsche Philharmonie, Dortmunder Philharmoniker, Staatsorchester Kassel, Anhaltische Philharmonie Dessau, Sinfonieorchester Wuppertal, Orquestra Nacional do Porto, Lithuanian Chamber Orchestra gibi orkestralarla konserler vermi\u015ftir.<\/p>\n\n\n\n

TRT Kurumu i\u00e7in bir\u00e7ok \u00e7a\u011fda\u015f T\u00fcrk bestecisinin piyano eserlerinin kay\u0131tlar\u0131n\u0131 yapm\u0131\u015ft\u0131r. Almanya\u2019da da Radio Bremen ve Deutschlandradio Berlin i\u00e7in kay\u0131tlar\u0131 bulunan sanat\u00e7\u0131n\u0131n Necil Kaz\u0131m Akses\u2019in piyano yap\u0131tlar\u0131ndan olu\u015fan CD\u2019si 1999 y\u0131l\u0131nda Cord Aria firmas\u0131 taraf\u0131ndan Almanya\u2019da, Chopin\u2019in eserlerinden olu\u015fan kayd\u0131 da iki CD olarak 2013 y\u0131l\u0131nda TRT Kurumu taraf\u0131ndan T\u00fcrkiye\u2019de yay\u0131nlanm\u0131\u015ft\u0131r. Elivar\u2019\u0131n Bremen Yar\u0131\u015fmas\u0131 s\u0131ras\u0131nda kaydedilen Bach Frans\u0131z S\u00fciti No. 3 BWV 817 ve Liszt Piyano Kon\u00e7ertosu No. 1 performans\u0131 ile \u0130talya\u2019da Fazioli Konser Salonu\u2019nda ger\u00e7ekle\u015ftirdi\u011fi ve L. v. Beethoven\u2019in opp. 109, 110 ve 111 Son \u00dc\u00e7 Sonat\u0131 ile op. 120 Diabelli Varyasyonlar\u0131\u2019n\u0131n yer ald\u0131\u011f\u0131 iki CD\u2019den olu\u015fan kayd\u0131n yan\u0131 s\u0131ra, Radio Berlin Brandenburg \u2013 Sony Almanya ortak projesi olan F. Schubert D 946 \u00dc\u00e7 Piyano Par\u00e7as\u0131 ve R. Schumann\u2019\u0131n op. 13 Senfonik Et\u00fcdler kayd\u0131 Mart 2009\u2019da piyasaya \u00e7\u0131km\u0131\u015f olup, uluslararas\u0131 ele\u015ftirmenler taraf\u0131ndan be\u011feni ile kar\u015f\u0131lanm\u0131\u015ft\u0131r. Sanat\u00e7\u0131n\u0131n Haziran 2010\u2019da R. Schumann\u2019\u0131n 200. do\u011fum g\u00fcn\u00fc \u015ferefine verdi\u011fi resital, Avrupa Radyo Yay\u0131nc\u0131l\u0131\u011f\u0131 Birli\u011fi (European Broadcast Union) \u00fcyesi 50\u2019den fazla radyo taraf\u0131ndan canl\u0131 olarak yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Haziran 2011\u2019den beri Arkas Trio\u2019nun \u00fcyesi olan Emre Elivar, Nisan 2019\u2019dan beri Bursa Uluda\u011f \u00dcniversitesi Devlet Konservatuvar\u0131\u2019nda \u00f6\u011fretim \u00fcyeli\u011fi yapmaktad\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/h2>\n\n\n\n
<\/figure>\n\n\n\n

Mikhail Voskresenskii<\/h2>\n\n\n\n

Mikhail Voskresenskii uluslararas\u0131 \u00e7aptaki \u00fcn\u00fcn\u00fc romantik gelene\u011fin \u00f6nemli bir temsilcisi olmas\u0131na bor\u00e7ludur. Moskova konservatuvar\u0131nda Ilia Klyachko, Boris Zemlyansky, Yakov Milstein, Lev Oborin g\u00f6zetiminde piyano, Leonid Royzman g\u00f6zetiminde kilise orgu e\u011fitimi alm\u0131\u015ft\u0131r. Me\u015fhur Lev Oborin\u2019in (birinci Chopin Piyano Yar\u0131\u015fmas\u0131n\u0131n birincisi) \u00f6\u011frencisi olarak hocas\u0131n\u0131n rafine romantik \u00e7al\u0131m \u00fcslubunu devam ettirmi\u015ftir. \u00c7al\u0131\u015f\u0131 birbirlerine kontrast te\u015fkil eden m\u00fczikal renkleri duyururken, muhte\u015fem bir legato ile enstr\u00fcman\u0131 neredeyse vokalize eder. Oborin \u00f6\u011frencisinin performans\u0131n\u0131 \u2018\u2019 Onun \u00e7al\u0131\u015f\u0131 dinleyicileri sanatsal kalitesi, samimiyeti ve ustal\u0131\u011f\u0131 ile kendisine hayran b\u0131rak\u0131r\u2019\u2019diyerek tarif eder. Mikhail Voskresensky, Schumann International Competition – Berlin, International Competition – Rio de Janeiro, George Enescu International Competition, Bucarest Van Cliburn Competition – Fort Worth gibi \u00f6nemli yar\u0131\u015fmalardan \u00f6d\u00fcller alm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

1957 y\u0131l\u0131nda gen\u00e7 bir piyanist olarak Prag Bahar Festivali kapsam\u0131nda \u015eostakovi\u00e7’in ikinci piyano kon\u00e7ertosunun Avrupa\u2019daki ilk seslendirili\u015fini ger\u00e7ekle\u015ftirmi\u015ftir. Bu seslendiri\u015fte \u015eostakovi\u00e7te dinleyiciler aras\u0131ndaki yerini alm\u0131\u015ft\u0131r. 1966 y\u0131l\u0131nda Merited Artist Russia, 1989 y\u0131l\u0131nda People\u2019s Artist Russia \u00f6d\u00fcllerine lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

Mikhail Voskresenskii  d\u00fcnyan\u0131n pek \u00e7ok farkl\u0131 b\u00f6lgesine yay\u0131lan performanslar\u0131nda 150\u2019den fazla orkestra \u015fefi ile \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Avrupa\u2019n\u0131n neredeyse t\u00fcm \u00fclkelerinde performans vermesinin yan\u0131 s\u0131ra Japonya,Kore, \u00c7in, Avustralya, Amerika, Meksika, K\u00fcba, Kenya, Zimbabwe ve Peru gibi farkl\u0131 \u00fclkelerde de konserler vermi\u015ftir.<\/p>\n\n\n\n

Birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131 se\u00e7kin topluluk ve m\u00fczisyenler aras\u0131nda \u015fu isimler yer almaktad\u0131r; Borodin quartet, Shostakovich quartet, Tokyo quartet -New York, keman sanat\u00e7\u0131lar\u0131 M.Yashvili, R.Nodel ve P.Berman, \u00e7ello sanat\u00e7\u0131lar\u0131 E. Altman ve A. Kniazev. Voskresenskii geni\u015f repertuvar\u0131n\u0131n oda\u011f\u0131nda Beethoven\u2019\u0131n t\u00fcm sonatlar\u0131, Chopin\u2019in t\u00fcm eserleri ve toplamda 64 piyano kon\u00e7ertosu bulunmaktad\u0131r. \u00c7al\u0131\u015ft\u0131\u011f\u0131 \u00f6nemli orkestra \u015fefleri aras\u0131nda John Pritchard, Franz Konwitschny, Kurt Mazur, Stanislav Scrowachewsky, Eugeny Svetlanov ve Charles Dutoit\u2019da yer almaktad\u0131r. Piyanist 50\u2019den fazla CD kayd\u0131 ger\u00e7ekle\u015ftirmi\u015ftir. Bu kay\u0131tlar aras\u0131nda 27 Mozart kon\u00e7ertosu, Liszt\u2019in b-minor sonat\u0131, Chopin\u2019in t\u00fcm nokt\u00fcrnleri, prel\u00fcd ve sonatlar\u0131, Scriabin\u2019in t\u00fcm sonat ve et\u00fcdleri, Schumann\u2019\u0131n Karnaval op.26, Beethoven kon\u00e7erto no:3 ve Brahms kon\u00e7erto no:2 g\u00f6ze \u00e7arpar. <\/p>\n\n\n\n

Mikhail Voskresenskii Moskova konservatuvar\u0131 piyano b\u00f6l\u00fcm\u00fc ba\u015fkan\u0131 olarak e\u011fitmenlik yapmaya devam etmektedir. \u00d6\u011frencileri 49 birincilik dahil toplamda 111 \u00f6d\u00fcl alm\u0131\u015flard\u0131r. Bu \u00f6\u011frenciler aras\u0131nda \u015fu isimler yer almaktad\u0131r; Stanislav Igolinsky, Amir Tebenihin, Temirzhan Erzhanov, Yakov Kasman, Alexander Ghindin, Sergei Koudriakov, Sergei Kuznetzov, Evelina Vorontsova, Elena Kuznetsova, Mikhail Yanovitsky, Kooryeong Park, Oleg Marshev, Yury Favorin, Varvara Nepomnyaschaya, Sergey Neller, Galina Chistyakova and Nikolay Khozyainov.<\/p>\n\n\n\n

2001-2004 y\u0131llar\u0131 aras\u0131nda Voskresensky<\/p>\n\n\n\n

ii Toho Gakuen University-Tokyo\u2019da ders veren Mikhail Voskresenskii pek \u00e7ok \u00f6nemli yar\u0131\u015fmalarda j\u00fcri olarak bulunmu\u015ftur. Bu yar\u0131\u015fmalar aras\u0131nda y\u00fcksek prestijli \u00c7aykovski Uluslararas\u0131 Piyano Yar\u0131\u015fmas\u0131, Scriabin Uluslararas\u0131 Piyano Yar\u0131\u015fmas\u0131 gibi yar\u0131\u015fmalar bulunmaktad\u0131r.<\/p>\n\n\n\n

Yak\u0131n bir ge\u00e7mi\u015fte \u015eostakovi\u00e7\u2019in birinci kon\u00e7ertosunu Beijing\u2019de, \u00c7aykovski’nin birinci kon\u00e7ertosunu Shanghai\u2019da Charles Dutoit\u2019n\u0131n y\u00f6netiminde seslendirmi\u015ftir.<\/p>\n\n\n\n

2007 y\u0131l\u0131n\u0131n sonbahar\u0131nda hocas\u0131 Oborin\u2019in do\u011fumunun 100.y\u0131l\u0131 an\u0131s\u0131na Beethoven\u2019\u0131n 4. kon\u00e7ertosunu Moskova konservatuvar\u0131nda Vladimir Ashkenazi y\u00f6netiminde seslendirmi\u015ftir.<\/p>\n\n\n\n

Haziran 2010\u2019da Mozart piyano kon\u00e7ertolar\u0131 serisinin kayd\u0131n\u0131 tamamlam\u0131\u015ft\u0131r. \u00dc\u00e7 senelik bir periyot i\u00e7erisinde t\u00fcm 27 kon\u00e7ertonun canl\u0131 kayd\u0131 \u015fef Leonid Nikolayev ve \u015fef Konstantin Masluk y\u00f6netimlerinde ger\u00e7ekle\u015fmi\u015ftir. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Olivier Gardon<\/h2>\n\n\n\n

Olivier Gardon, Macar piyanist Lili Kraus’un dikkatini \u00e7ekti\u011finde yedi ya\u015f\u0131ndayd\u0131. Paris’teki Conservatoire de Nice’de ve Conservatoire National Sup\u00e9rieur de Musique’de (CNSM) Pierre Sancan ve Jean Hubeau ile \u00e7al\u0131\u015fmalar\u0131na devam etti. Daha sonra G\u00e9za Anda, Lili Kraus, Gy\u00f6rgy Seb\u00f6k ve Jean Fassina’n\u0131n rehberli\u011finde becerilerini m\u00fckemmelle\u015ftirdi.<\/p>\n\n\n\n

Gardon, Marguerite Long yar\u0131\u015fmas\u0131 (1973), Queen Elisabeth M\u00fczik Yar\u0131\u015fmas\u0131 (1975), Senigallia’daki Viotti Uluslararas\u0131 M\u00fczik Yar\u0131\u015fmas\u0131 ve Napoli’deki Casella Piyano Yar\u0131\u015fmas\u0131 dahil olmak \u00fczere prestijli uluslararas\u0131 yar\u0131\u015fmalarda \u00e7ok say\u0131da \u00f6d\u00fcl ald\u0131.<\/p>\n\n\n\n

O zamandan beri, kariyeri onu solist ve oda m\u00fczisyeni olarak d\u00fcnyan\u0131n \u00f6nde gelen m\u00fczik mekanlar\u0131n\u0131n \u00e7o\u011funa g\u00f6t\u00fcrd\u00fc. Bunlar aras\u0131nda Paris’teki Th\u00e9\u00e2tre des Champs-Elys\u00e9es, Salle Pleyel ve Th\u00e9\u00e2tre du Ch\u00e2telet, Londra\u2019daki Kraliyet Festival Salonu, Barbican Merkezi ve Wigmore Salonu, New York’taki Carnegie Hall, Salzburg’daki Grosses Festspielhaus,Tokyo\u2019daki Bunka Keikan ve Kioi Salonu, Izumi Salonu Osaka, Prag’daki Dvorak Salonu, Montevideo’daki Th\u00e9\u00e2tre Solis ve di\u011ferleri bulunmaktad\u0131r.<\/p>\n\n\n\n

Ayr\u0131ca Gardon, Londra Senfoni Orkestras\u0131, Salzburg Mozarteum Orkestras\u0131, Orchestre Philharmonique de Radio-France, Sofya Filarmoni Orkestras\u0131, Prag Oda Orkestras\u0131, Stuttgart Oda Orkestras\u0131, Orchestre National de Lille, Busan Filarmoni Orkestras\u0131 ve Suwon Filarmoni Orkestras\u0131 ile sahne ald\u0131. Karl M\u00fcnchinger, Ferdinand Leitner, Pierre Dervaux, Uri Segal, Theodor Guschlbauer, Davis Shallon, Serge Baudo, Jean-Claude Casadesus, Jacques Mercier, Philippe Bender, Jean Pierre Wallez gibi \u015feflerle \u00e7al\u0131\u015ft\u0131.<\/p>\n\n\n\n

Gardon’\u0131n diskografisinde Beethoven, Brahms, Bizet, Debussy, Liszt, Mussorgsky, Milhaud, Schumann’\u0131n eserleri, Vierne’nin b\u00fct\u00fcn piyano eserleri ile Kang Dong Suk ve Yvan Chiffoleau ile birlikte Alkan\u2019\u0131n b\u00fct\u00fcn oda m\u00fczi\u011fi eserleri bulunmaktad\u0131r (Prix Sp\u00e9cial de la Nouvelle Acad\u00e9mie du disque fran\u00e7ais). 2011’de B\u00e4renreiter, Vierne’nin piyano Pr\u00e9ludes ve Nocturnes’in yeni urtext bask\u0131s\u0131n\u0131 kendi revizyonu alt\u0131nda yay\u0131nlad\u0131.<\/p>\n\n\n\n

Olivier Gardon, e\u011fitmenlik kariyerine devam etti\u011fi Paris\u2019teki Schola Cantorum\u2019un yan\u0131 s\u0131ra, HMTM Hannover’da ve Conservatoire \u00e0 Rayonnement R\u00e9gional (CRR) de Paris’te de \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. D\u00fczenli olarak Fransa, Avusturya, Almanya, G\u00fcney Kore, Japonya ve bir\u00e7ok \u00fclkede ustal\u0131k s\u0131n\u0131flar\u0131 vermek \u00fczere davet edilmektedir. Marguerite Long-Thibaud (Fransa), Cincinnati D\u00fcnya Piyano Yar\u0131\u015fmas\u0131 (ABD), Tiflis Uluslararas\u0131 Piyano Yar\u0131\u015fmas\u0131 (G\u00fcrcistan), Concurso Internacional de Valencia Iturbi, Hastings Piyano Yar\u0131\u015fmas\u0131 ve Panama Uluslaras\u0131 Piyano Yar\u0131\u015fmas\u0131 gibi \u00e7ok say\u0131da uluslararas\u0131 yar\u0131\u015fmada j\u00fcri \u00fcyesi olarak g\u00f6rev yapm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Sookkyung Cho<\/h2>\n\n\n\n

\u2018\u2019Hassas ve yarat\u0131c\u0131\u2019\u2019( New York Concert Review) yorumlar\u0131yla takdir toplayan Koreli piyanist Sookkyung Cho d\u00fcnyan\u0131n pek \u00e7ok \u00f6nemli sahnesinde dinleyicileri ile bulu\u015fmu\u015ftur. Bunlardan belli ba\u015fl\u0131calar\u0131; Alice Tully Hall – Lincoln Center, Weill Recital Hall – Carnegie Hall, Chicago Cultural Center, Sarasota Opera House, Baltimore Museum of Art, Montreal Conservatory, Beaux concerts de la releve – Quebec, Ch\u00e2teau de Fontainebleau ve Zijingang Theater – Zhejiang University olarak s\u0131ralanabilir. Yak\u0131n zaman \u00f6nce performanslar\u0131 WFMT Chicago radyo istasyonu taraf\u0131ndan yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

New York men\u015feli m\u00fczik toplulu\u011fu Almava Trio\u2019nun kurucu \u00fcyelerinden biri olan Cho, Yellow Barn, Norfolk ve Sarasota gibi festivallerde icrac\u0131 olarak yer alm\u0131\u015ft\u0131r. Bowdoin Uluslararas\u0131 M\u00fczik festivali\u2019nin hem y\u00fcr\u00fct\u00fcc\u00fclerinden hem de icrac\u0131lar\u0131ndan biri olan Cho, pek \u00e7ok j\u00fcri \u00fcyeli\u011fi ve uzmanl\u0131k s\u0131n\u0131f\u0131 e\u011fitmenli\u011fi g\u00f6revlerinde bulunmu\u015ftur. Yak\u0131n ge\u00e7mi\u015fte yer ald\u0131\u011f\u0131 sanatsal faaliyetlerden baz\u0131lar\u0131 \u015f\u00f6yledir; New England Conservatory Preparatory School kon\u00e7erto yar\u0131\u015fmas\u0131 finali se\u00e7ici kurul \u00fcyeli\u011fi, Walnut Hill School for the Arts, Honor oda m\u00fczi\u011fi se\u00e7meleri se\u00e7ici kurul \u00fcyeli\u011fi, Links signature Art Program, Julliard School piyano e\u011fitmenli\u011fi, NEC Preparatory oda m\u00fczi\u011fi ve piyano e\u011fitmenli\u011fi. Akademisyen icrac\u0131 kimli\u011fi ile \u00f6ne \u00e7\u0131kan Cho, College Music Society\u2019de anlat\u0131ml\u0131 bir konser sunmak G\u00fcney Kore\u2019ye davet edilmi\u015ftir. <\/p>\n\n\n\n

Cho Juilliard piyano b\u00f6l\u00fcm\u00fcnden John Erskine Graduation prize alarak mezun olmu\u015ftur. Y\u00fcksek Lisans derecesini Peabody School of Music piyano b\u00f6l\u00fcm\u00fcnden almaya hak kazanm\u0131\u015ft\u0131r. Burada oda m\u00fczi\u011fi kategorisinde Grace Clagett Ranney Prize almaya lay\u0131k g\u00f6r\u00fclm\u00fc\u015ft\u00fcr. C. V. Starr Doctoral Fellow bursunu kazanarak doktora derecesini Juilliard\u2019dan alan Cho, bu s\u00fcre\u00e7 zarf\u0131nda piyano yan dal e\u011fitmeni olarak ayn\u0131 enstit\u00fc i\u00e7erisinde \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Cho\u2019nun hocalar\u0131 aras\u0131nda Boris Slutsky, Julian Martin, Matti Raekallio, and Jonathan Bass yer almaktad\u0131r. Grand Valley State University Michigan\u2019da do\u00e7ent \u00fcnvan\u0131yla ders veren piyanist, InterHarmony Music Festival in Italy, ESME String Virtual Camp, and Blue Lake Fine Arts Camp in Michigan gibi yaz ustal\u0131k s\u0131n\u0131flar\u0131nda da e\u011fitmen olarak yer alm\u0131\u015ft\u0131r. <\/p>\n","protected":false},"excerpt":{"rendered":"

Konuk Sanat\u00e7\u0131lar Emre Elivar A\u011fustos 1976\u2019da Ankara\u2019da do\u011fan Emre Elivar piyano \u00f6\u011frenimini, 5 ya\u015f\u0131ndan itibaren Hacettepe Konservatuvar\u0131 Piyano Ana Sanat Dal\u0131\u2019n\u0131 s\u0131n\u0131flar atlayarak birincilikle bitirinceye […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-169","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/pages\/169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/comments?post=169"}],"version-history":[{"count":16,"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/pages\/169\/revisions"}],"predecessor-version":[{"id":608,"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/pages\/169\/revisions\/608"}],"wp:attachment":[{"href":"https:\/\/piyanofestivali.bilkent.edu.tr\/index.php\/wp-json\/wp\/v2\/media?parent=169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}